This page contains the original text of Act 3, Scene 3 of The Merchant of Venice. Shakespeare’s original The Merchant of Venice text is extremely long, so we’ve split the text into one Scene per page. All Acts and Scenes are listed on the The Merchant of Venice text page, or linked to from the bottom of this page.
ACT 3. SCENE 3. Venice. A street.
Enter SHYLOCK, SALARINO, ANTONIO, and Gaoler
SHYLOCK
Gaoler, look to him: tell not me of mercy;
This is the fool that lent out money gratis:
Gaoler, look to him.
ANTONIO
Hear me yet, good Shylock.
SHYLOCK
I’ll have my bond; speak not against my bond:
I have sworn an oath that I will have my bond.
Thou call’dst me dog before thou hadst a cause;
But, since I am a dog, beware my fangs:
The duke shall grant me justice. I do wonder,
Thou naughty gaoler, that thou art so fond
To come abroad with him at his request.
ANTONIO
I pray thee, hear me speak.
SHYLOCK
I’ll have my bond; I will not hear thee speak:
I’ll have my bond; and therefore speak no more.
I’ll not be made a soft and dull-eyed fool,
To shake the head, relent, and sigh, and yield
To Christian intercessors. Follow not;
I’ll have no speaking: I will have my bond.
Exit
SALARINO
It is the most impenetrable cur
That ever kept with men.
ANTONIO
Let him alone:
I’ll follow him no more with bootless prayers.
He seeks my life; his reason well I know:
I oft deliver’d from his forfeitures
Many that have at times made moan to me;
Therefore he hates me.
SALARINO
I am sure the duke
Will never grant this forfeiture to hold.
ANTONIO
The duke cannot deny the course of law:
For the commodity that strangers have
With us in Venice, if it be denied,
Will much impeach the justice of his state;
Since that the trade and profit of the city
Consisteth of all nations. Therefore, go:
These griefs and losses have so bated me,
That I shall hardly spare a pound of flesh
To-morrow to my bloody creditor.
Well, gaoler, on. Pray God, Bassanio come
To see me pay his debt, and then I care not!
Exeunt
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Read more scenes from The Merchant of Venice:
A guide to Shakespeare’s stage directions
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